In times of uncertainty and hopelessness, this stirring composition reminds us to be essential instruments of peace. This uplifting and empowering anthem is musically solid and a powerful ministry tool. Not

Hector Villa-Lobos is one of the most beloved South American composers. This Brazilian folk song arrangement is rhythmic and fun.  Selected for the Cristian Grases South American and Caribbean Choral

The composer uses an adaptation of the traditional African American spiritual text but provides new music which is at once introspective, thankful, and triumphant. The slow tempo allows for much expression

A brilliant fanfare opening is followed by an energetic, rhythmic chorus and a contrasting slower middle section. Then the work builds, starting with one voice part and adding the rest until all are in. A

Written in lyric style, this beautiful choral can be used for any occasion. The sentiment of the text "I believe in the sun, even when it's not shining" springs forth with inspiration and sends thoughts

"I dream of a world where peace reigns among us, where love's work is done: may we make it so!" This prophetic vocal solo calls for compassion and community, compelling us to do the hard work ahead of us in

This is an up-tempo and challenging setting of a gospel favorite. A wonderful festival piece with a fun piano accompaniment!

This gospel-infused, blues-influenced arrangement of the famous work by Alma Bazel Androzzo was written in honor of Dr. Anton Armstrong. A solo voice drives the work throughout, with the choir playing a

Roland Carter's arrangement is the absolute standard for this classic anthem of the civil rights movement, which has also become known as the unofficial Black American National Anthem. James Weldon

Triumphant and energetic opening and closing sections fill this original work with syncopated momentum and brisk harmonic development. A contrasting middle section sings "Gaudeamus hodie" with lyrical lines

A welcome "big choral" setting of a classic spiritual, this unaccompanied setting has divisi in all parts, a touch of chromaticism that is totally in character, and plenty of variation in texture, tempo,

Grammy Award winner Bill Withers recorded this happy song in 1977, and this groovin' arrangement stays true to the R&B style of the original while employing some gospel harmonies designed to show off

This exuberant, joy-filled anthem for combined choirs is a dynamic addition to worship on Palm Sunday or Christ the King Sunday. The anthem features a unison choir (or small group) which heralds the King's

From two very important composers of our time, the lyrics in this monumental work challenge ideas of racism and discrimination, while the music combines jazz and traditional choral techniques. No

Rigg's intriguing setting of this poignant, reflective poem by Thomas Dunn English features an accompaniment that emulates flowing water and the turning of the mill wheel. The minor mode and 6/8 pulse

Maya Angelou's famous text frames this majestic concert piece that celebrates diversity, equity, inclusion, and access to one's purpose and destiny. Dilworth's setting is in his classic style with

Mark Miller's songbook, Roll Down, Justice!, contains 23 soulful songs for congregational worship. In the midst of struggles for social justice and freedom from oppressive systems, these songs will

If you say the name, you're prompted to learn the story. Promote inclusivity and awareness with Say Her Name, written specifically to highlight elements of the Kwanzaa ceremony. Featuring body

This tender and comforting work "passes the peace" as its simple yet elegant melody washes over the listener, gently unfolding its text with increasing texture: "Peace I leave with you, my peace I give to

This exquisite setting of the beloved American folk song has been artistically arranged for mixed or treble choirs of all ages. A beautiful piano accompaniment brings an independent voice to the

William Henry Davies' text is given a driving, rhythmic setting that encourages singer and listener alike to "sing out!" their songs of joy. The contrasting middle section is undergirded with rhythmic

Exuberant rhythmic energy abounds in this African-style original! The Swahili text of only four words translates: "We will dance! We will sing! We will be glad!" The only accompanying instruments are