Get on board with this lively partner song adaptation of the well-known traditional spiritual! Featuring easy-to-sing countermelodies for both the verse and chorus, it's a snap to put together and an

Although Rosephanye Powell often selects sacred texts for her music, it is the uniqueness of her writing style that enables it to serve both in worship and concert. Ascribe to the Lord, one of her

This beautiful ballad celebrates the spirit of inclusiveness and diversity and is a lovely choice for the holiday season or anytime throughout the year. "So come as you are. Remember that the door is always

Here's a lush, beautiful a cappella setting of the old standard tune, with accessible jazz harmonies and effortless voice leading. This is a standout ballad for your jazz or concert choir!

In the Bantu language, "cangoma" means "drum." The text of this piece, in a Portuguese dialect, celebrates the end of slavery. Use congas, djembe, tubanos, cajon, or tom-toms to add the simple drum

This a cappella version of the 1968 Sly and the Family Stone classic will make a showstopper of a closing number! This well-written arrangement brings together a funky groove with notated vocal percussion

Luscious harmonies, fluid melodies, and a rich piano accompaniment all come together in this inspiring and uplifting original work for mixed chorus. Emotive and so musical at every phrase, this is an

Don't miss this exuberant showstopper from the Motown-inspired musical "The Wiz." Feel-good lyrics, a funky groove, and a powerful hook give any choir cause to celebrate. It's awesome as an opener! Highly

"Ffe Mwe Mwe Ffe" begins with a simple unison call, the energy of community coming together for the common good grows with each interwoven and layered rhythm that enters.  A soloist then introduces

Stacey Gibbs is perhaps the most popular arranger for traditional Spirituals today. Creative ideas with harmony and rhythmic accompaniment make his treatments stand out. Choirs enjoy the familiar tunes with

This work is an exploration of sounds with human voice. The text is taken from the terminology used for various Malay traditional dance movements. Inspired by an exotic Indonesian Malay scale, the music

All the elements of this arrangement of a traditional Navajo song are very simple and repetitive, with plenty of unison, simple harmony in open fifths, and call-and-response singing. A variety of percussion

This piece was written in response to Dr. Martin Luther King Jr.'s "I have a Dream" speech. The text dialogues between two Langston Hughes poems, Harlem and Dreams. One poem summarizes the