Here's a sparkling rendition of the traditional English carol that is sure to be a holiday concert highlight! The dazzling piano accompaniment frames the piece and the choral harmonies are bright and clear.
This exciting concert piece for developing choirs uses a traditional Latin text. The energetic mixed meters are contrasted with a more expressive middle section. The piano accompaniment adds nicely to the
This is different! Using a fictional language combined with a powerful English text, this exceptional piece effectively combines narration, rhythmic chanting and whispers, singing, vocal percussion, stomps
This piece hints of the drama of the sea with rolling and weaving melodies in the undulating piano accompaniment. Small vocal ranges and the effective use of unison, two-part harmonies, and a descant propel
In this happy Kenyan/Swahili folk song, "Jambo Bwana" means "Hello, sir." A simple song of peace, this selection features optional congas plus a piano accompaniment to support the voices. A pronunciation
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Robert Bode's text infuses this original song with a message of music advocacy and appreciation. The rhythmic piano accompaniment sets up a nice groove in the compound meter for the choral parts to stretch
This dynamic and energetic piece is written in an ABA style with comfortable ranges in the voice parts. Making use of mixed meters and solid homophonic harmonic writing, this selection is appropriate for
Conceived as a way to honor the bravery of military men and women, as well as honoring mentors whose hard work, achievements and sacrifices inspire us daily. The full texture for tenor-bass choirs is
Inspired by the Sacred Harp tunes White and Long Sought Home, this arrangement with optional violin affords your singers the opportunity to experience the tradition of sacred choral music
Here is a classic tenor solo aria arranged for developing tenor-bass choirs that is both a wonderful teaching tool for its historical and vocal pedagogical value and an impressive festival or concert
Robinson's TBB arrangement of this beloved Bennett madrigal, originally published for four voices in 1599, has been changed from the original key of A minor to the key of D minor, making the ranges and
A carefully edited version of Schubert's lied for tenor-bass choirs, this Shaw–Parker edition features an English text throughout, with the original German text preserved underneath in italics.