This traditional Chinese folk song is used as a blessing for a bountiful harvest and a good year. The pentatonic melody line and simple repeated harmonies preserve the Eastern feel of the arrangement, and

Perfect for Palm Sunday celebrations whether you use adult choirs, children's choirs, or both! Use two equal voices or two choirs each in unison on this effective piece that is uplifting and easy to put

In the Bantu language, "cangoma" means "drum." The text of this piece, in a Portuguese dialect, celebrates the end of slavery. Use congas, djembe, tubanos, cajon, or tom-toms to add the simple drum

This well-written piece of festival repertoire for young choirs sets a traditional Latin text with joyous musical phrases. A lyrical middle section provides a nice contrast and the optional descant over the

These two traditional songs fit together amazingly well in this excellent concert/festival selection! Each voice part becomes more independent as the arrangement progresses, and when all the parts do their

This exquisite work has a haunting yet whimsical quality as it tells its story from the viewpoint of a wanderer who has returned home to share life's experiences, only to leave again in the final,

A persistent underlying rhythm gives this setting of the Langston Hughes poem a powerful, mysterious drive. "Bring me all of your dreams, you dreamers. Bring me all of your Heart melodies, that I may wrap

The strong, driving rhythms and exciting dynamic contrasts of this Latin setting will keep your audience and choir engaged right up to the final vigorous "Hallelujah!" Very catchy, fun to sing and easy to

This energetic choral work offers an introduction to the traditional Latin text with compound meter and accessible choral parts. Whether chosen for its educational features, its lyric melody, or its

Two traditional favorites, I Want to Rise and Swing Low, Sweet Chariot, are woven together in this medley that presents the melodies in unison or simple harmony before partnering the two

This gentle, flowing piece combines thematic elements of two popular Korean folk songs, Doraji and Arirang. The selection is performed in English and Korean, with the Korean

"Winding road, western wind, golden moon, silver stars... take me home." Here's a folk-inspired lyrical original that is a beautiful choice for treble choirs. The tuneful melody is memorable, and the gentle

Opening with narration consisting of poignant quotes about doing what is right, this piece speaks of hope, compassion, justice, and unity. Sung in English and Swahili, the solemn accompaniment supports the

This contemporary pop-influenced arrangement puts a new spin on the traditional Hanukkah song. A gentle piano groove provides a fresh framework for the treasured melody, which is elongated and echoed part

Written especially for two-part choirs, this inquisitive piece features lyrical unisons, echo singing, and sensible duet harmonies. A haunting piano motive represents the moon throughout as the childlike

This gentle original setting of an 11th-century Japanese text captures the mystery and flavor of ancient Japan and frames the middle section, which is in English. Haunting melodies and simple harmonies are

The final installment of the Missa Brevis, this peaceful work features opportunities for unison singing and the development of independent part singing. With conservative ranges and opportunities to focus

This peaceful setting of the traditional Hebrew text has been carefully written to be accessible and artistic for young choirs. There are pronunciation and translation guides to assist with teaching the

Hauntingly beautiful melodic lines and a supportive accompaniment gently interweave to evoke the marvelous imagery in this classic Rachel Field poem. This piece is excellent for teaching phrasing, blend,

A traditional folk tune sung by children and families throughout Bolivia, Chile, and Argentina, this South American piece is an ideal multicultural selection for young treble choirs. Plenty of unison and

This beautiful and thoughtful setting of the Paul Laurence Dunbar poem includes parts for Orff instruments (glockenspiel and bass metallophone) and an optional flute obbligato that make this piece

Chosen with the teacher's time and ease of teaching in mind, this three-song collection offers plenty of options to choose from: solfege or original text, unison or in rounds, a cappella or singing with

"Who has seen the wind? Neither I nor you." Christina Rossetti's mysterious and intriguing text is presented in a beautiful setting to create a superb choral work for concert and contest. Designed for