An animated, lilting, and dramatic a cappella work, this choral tour de force briefly quotes the hymn Praise to the Lord the Almighty in a fresh and innovative way. It is a truly impressive work
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Written in the modern folk style, composer Allen Koepke has provided an inspirational, allegorical text that is sure to delight. The piano lends dramatic support to the finely styled vocal parts. A frequent
The third in a set of three songs titled Love Was My Lord and King! based on the poetry of Alfred Lord Tennyson. For TTBB chorus and chamber orchestra or piano. Commissioned by the Orpheus Male
This masterful anthem is one that has connected with singers and congregations all over the globe. It is a timeless anthem you'll come back to each and every year. Full instrumentation includes strings,
If you have a very talented choir looking for a challenge, this is an absolutely "must do" spiritual! The use of the many variants of the text allows the music to maximize the use of gospel-style
"Homeland, the country that I love, hold out your arms to me. I strive for you, and give you the best I hope to be." This soaring melody, Jupiter from "The Planets," is presented with all the
This is an old Quaker hymn dating back to the 1800s in the United States. References to the persecution of Friends may be heard in the lyrics, yet faith and courage prevail. This arrangement emphasizes the
Originally commissioned by the ACDA, Walker's setting of the E.E. Cummings poem has long been popular on the festival circuit for treble and mixed choirs. An additional voicing for tenor-bass choirs is now
Composer Gwyneth Walker has crafted this beautiful piece where interplay between a sparkling piano part and playful vocal lines mirrors poet May Swenson’s comparison between love and a cascade of
A contemporary setting of a familiar Latin text, this concert work is ideal for your advanced ensemble. Melismatic lines contrast with strong harmonic moments in this Renaissance-style motet.
"Ah, weary wee flipperling, curl at thy ease! The storm shall not wake thee, nor shark overtake thee, asleep in the arms of the slow-swinging seas..." This charming poem by Rudyard Kipling is the
Floating suspensions and understated piano lines characterize Randall Stroope's haunting setting of the beautiful Christmas text from the 15th century. Scored for treble voices, piano and oboe, it is a
Three beautiful and favorite ballads, He's Gone Away; Will He Remember?, and Barbara Allen are presented here for treble choirs. A gorgeous combination of voice parts and piano.