This setting of Hildegard of Bingen's Ave Generosa text uses a hauntingly joyful tonality, paying homage to the mysterious story of Mary. A beautiful middle section is surrounded by contrasting

You have to hear this to believe it! As performed by the sensational Swedish vocal group The Real Group, this is a cappella vocal jazz with clever lyrics and delightful syncopations that are much easier to

For treble choirs looking for a playful challenge, this arrangement of a traditional Spanish folk song uses Spanish text throughout, piano accompaniment, hand claps, and a fiery soprano solo, then

With modern dissonance and free tonality, this entire piece drives toward the last line of the Stacy Gnall poem: "big brother, I am catching up to you." One long, rhythmic race, this selection will be a

Taken from Mass No. 6, this advanced work for treble chorus and piano is typical of Orban's energetic rhythmic drive; it is a great piece for concert work!

The "green movement" seems so contemporary, it comes as a shock to find the words of this music were written by Hildegard von Bingen of the 12th century. Kirke Mechem has created a round that cleverly

Here's an arrangement of a traditional Mexican song that will require some work, but will be well worth the effort! Set at a very fast tempo, with some tricky syncopations, complete with yips, yelps and "ai

In depicting the manic nature of this Shakespeare text, the music features numerous key changes and employs a variety of time signatures. The combination of the dramatic text along with the ever-shifting

Useful in a wide variety of circumstances including as a Palm Sunday introit or procession. It is also a great teaching piece for a school group or choir festival. Finally available for double TTBB chorus,

Drawn from the Yunnan Hani children's folk song Qi DoLei, the music describes the happy life of children and parents who cut down bamboo and pick up bamboo leaves. Combining traditional folk tunes