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This massive work epitomizes the style of Claude T. Smith. It is listed on most major state repertoire lists. It is a deeply felt, sonorous treatment of a beloved melody that is suitable for
Derived from themes by Carl Maria von Weber, this work by Hindemith has been transcribed for concert band by Keith Wilson. A staple of the concert band repertoire, found on many state lists. Note:
Completed in 1914, when World War I was but an emerging threat, Mars is dominated by a relentless hammering out of a 5/4 rhythm which suggests the relentless destruction of war. The opposition of