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Its required skillful pedaling and variety of playing techniques make Canticle a beautiful and interesting melodic work for unaccompanied timpani.
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This piece, scored for four timpani and four timbales, was originally accompanied by full orchestra. This version comes with piano accompaniment.
Sections alternate between 4/4 and 6/8 in this lively solo by Steve Riley. Very tonal setup of F-C-D-F.
Featuring four timpani, this challenging work requires rhythmic precision and a flair for the dramatic as the soloist negotiates a series of changing styles and moods.
An unaccompanied, multimovement work with each movement containing a variety of meters and tempos.
Consisting of four contrasting movements, Forms utilizes playing techniques specific to the timpani to create a unique musical experience for the player and audience.
Four Pieces for Timpani is a staple in standard timpani repertoire. The pieces are strong enough to be played individually yet contrast enough to be played as a suite.
This piece was written expressly for the 1998 Percussive Arts Society Composition Contest in which it was awarded second prize. It is a vehicle for exploring the timpani as a melodic instrument while at the
Gomez, Alice and Rife, Marilyn. Published by Southern Music Company, San Antonio. Copyright 1990. Gomez has written several marimba works and is a multi-instrumentalist with percussion emphasis. Rife is
A piece in three movements: Rondo; Espressivo and Straight Eighth Groove. Through the use of pitch changes, Cheadle creates a memorable solo with a melodic base.
Melodic motifs, slick rhythms over clever meter changes, effective dynamic contrasts, and comfortable pedaling make Primal Mood a fantastic addition to a timpanist's solo repertoire. Perfect for