Inspirations Diabolique is a popular five-movement solo for unaccompanied multi-percussionist. It allows the player to display their skills with various sticks, mallets, and beaters upon

Written as a homage to Igor Stravinsky's L'Histoire du Soldat, this unaccompanied solo for multiple percussion uses similar timbres, techniques and meters as Stravinsky's original work. Any

An advanced unaccompanied solo for vibraphone, two timbales, and four timpani.

Morris Dance sits among William Kraft's multiple percussion solos as an industry staple. Its set-up is smaller, and its technical demands aren't quite as

Passages of driving sixteenth notes on a single low drum with accents dispersed among the higher drums create the foundation for this high-energy piece by Lynn Glassock. The timbres are filled out by

A classic solo in three movements: Introduction; Scherzo and Finale. The outer movements call for battery percussion while the middle movement calls for any mallet instrument.

Scored for four tom-toms and a variety of mounted percussion instruments, this unaccompanied solo by Tom Gauger starts with an elegant, almost regal rhythmic theme. It then goes through several

Perpetual Motion is an unaccompanied solo for snare drum and four tom-toms. It is constructed around unbroken rolls and 16th patterns across the setup.

Solo for a small multi-percussion setup with piano accompaniment. Appropriate for an advanced beginner.

An enjoyable medium-advanced solo for unaccompanied concert toms.

Limitless possibilities afforded by a very limited instrumentation. Hollinden explores a wide range of possibilities afforded by the three instruments, using them in various combinations, in dialog fashion,

A medium-grade solo for unaccompanied multi-percussionist. It has a small set-up and requires both battery and mallet percussion skills.

A medium-advanced unaccompanied solo for multiple percussion.

This unaccompanied solo in three movements - Allegro, Recitative, and Rondo - requires skills in both battery and keyboard percussion. It appears on several state and

A medium-level piece for tom-toms and piano in sonata form.

A medium-grade solo for unaccompanied multi-percussion. It contains all the instruments you would expect from the title, including castanets. The second half of the solo centers around a

The improvisational style of its composition makes Sticks of Eloquence a challenge for the performer both technically and musically. The bursts of rhythm combined with the well-placed silences will