Hot horns and vocals make this Latin standard into an incredible feature for jazz and show choirs. With opportunities for solos, and great instrumentals, this chart will be a fun change of pace for your

Developing mixed and treble choirs will enjoy performing this jazz-inflected doo-wop song, written in the 1930s but made popular in 1961 by the Marcels. With careful attention to range and voice-leading,

This combination of Birth of the Blues and Blues in the Night is filled with all the jazzy nuances you expect in such golden oldies. Use the recorded accompaniment track or a live combo to

Develop intonation, blend, rhythm, and solo techniques with this vocal jazz setting of a song originally made famous by Petula Clark in 1965. Solo opportunities, including a written-out scat solo, and parts

If you're looking for a classic, nostalgic song for your show choir, consider this wistful, romantic waltz, which was recorded in the 1930s by Marlene Dietrich. This arrangement opens with the slow waltz

Pharrell's mega-hit gets a hot vocal jazz treatment in this accompanied setting. It has great vocals, horns and solo opportunities to please every crowd!

This Duke Ellington number was featured in "Sophisticated Ladies," the musical revue celebrating the life and music of the great bandleader. A slinky bass sets up the intro just before this swingin' setting

This accessible arrangement of the classic Duke Ellington song makes this timeless tune available to a new generation of singers. In an easy swing, this piece features ensemble scat singing, opportunities

This famous TV theme by Lalo Schifrin was on the cutting edge back in the 1960s, with its catchy 5/4 beat and ethereal melody. Available for better vocal jazz choirs in this amazing a cappella arrangement,

Here is a hard-driving standard that features both your jazz combo and your choir. An extended introduction is a full one time through the form before unison chorals present the melody. A choral scat