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Developing mixed and treble choirs will enjoy performing this jazz-inflected doo-wop song, written in the 1930s but made popular in 1961 by the Marcels. With careful attention to range and voice-leading,
This combination of Birth of the Blues and Blues in the Night is filled with all the jazzy nuances you expect in such golden oldies. Use the recorded accompaniment track or a live combo to
This is dynamite! Kirby Shaw's phenomenal arrangement of this Simon and Garfunkel hit ballad is contemporary choral writing at its finest. The light, harmonic a cappella opening is contrasted with this
Develop intonation, blend, rhythm, and solo techniques with this vocal jazz setting of a song originally made famous by Petula Clark in 1965. Solo opportunities, including a written-out scat solo, and parts
This sultry ballad is one of the finest songs by the songwriting team of Johnny Mercer and Harold Arlen. This bluesy arrangement has a supportive piano accompaniment, full, lush chorals and a
Peggy Lee's sizzling sound is adapted for SSA in a sensational arrangement by Kirby Shaw that will really turn up the heat at your next concert! Lyrics, vocals, harmonies, P/A CD - everything about this
People will recall this great jazz standard as recorded by Tony Bennett, but many other singers have given their rendition of this tune as well. Put your own trademark stamp on this Latin groove setting
This Duke Ellington number was featured in "Sophisticated Ladies," the musical revue celebrating the life and music of the great bandleader. A slinky bass sets up the intro just before this swingin' setting
One of the most touching Gershwin love songs, written in 1930, this standard continues to melt hearts today. Appropriate for concert choirs as well as show and jazz groups.
This accessible arrangement of the classic Duke Ellington song makes this timeless tune available to a new generation of singers. In an easy swing, this piece features ensemble scat singing, opportunities
This famous TV theme by Lalo Schifrin was on the cutting edge back in the 1960s, with its catchy 5/4 beat and ethereal melody. Available for better vocal jazz choirs in this amazing a cappella arrangement,