Energetic tempo, soaring vocal lines, and unified rhythmic texture create a rousing setting of Schulze's text about Jager (hunters) roaming the forest. The strophic form and straightforward harmony make
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From the American Romantic Choral Series comes this lighthearted secular song. Written in Italian with an English alternative, the piece features a baritone solo with chorus response. Fun and well written,
This is one of Clara Schumann's settings of a Heine text set for choral voices in the original key of E-flat major. After the score opens with four full measures of introductory music, chromatic harmony is
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This invitation for a rendezvous on the sea beneath the stars is colored by a spiraling piano accompaniment and largely homophonic vocal lines. The setting makes the most of Chausson's music in this lovely
The melody has a simple innocence, but the harmony provides great warmth and subtlety in this touching love song by Clara Schumann arranged for choral ensembles. Set in a modified strophic form, the setting
A triumphant Mozart masterwork for today's choirs! This joyful opera finale opens and closes with a boisterous choral fanfare that features a brief, expressive vocal duet in the middle. The text is in
From the Gounod opera "Faust." Here, young Valentin's heartfelt prayer abounds with conflicting emotions, offering singers an opportunity to consider the devotional yet enthusiastic text and operatic style
While this piece is a standard in the baritone solo repertoire, this setting has turned it into a wonderful opportunity to explore this classic with your whole tenor-bass ensemble. The early 20th-century
Schubert lied with text from Muller arranged for treble or tenor-bass choirs. True to the original, with German text and English translation provided in the score.
Introduce your choir to Vivaldi's masterwork with this sensibly adapted edition for developing choirs. Conservative ranges and the accessible Latin text give an educationally sound experience with high
Johannes Brahms’s Alto Rhapsody is published here in a new Urtext edition, modernized for present-day performance practice. It is based on the 2nd impression of the first printed edition, as
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Tenor-bass choirs will delight in singing this arrangement of Victoria's beloved motet. This motet is excerpted from his first Pange Lingua and incorporates the original Roman melody, or cantus
This stately and elegant setting of Purcell's masterwork from Birthday Ode for Queen Mary is adapted specifically for developing choirs. With vocal ranges that work well for young singers, the
This edition of the well-known choral masterwork from Mozart's "Requiem," now available for mixed, TTBB, and SSAA voices, has become a standard for today's choirs. Patrick Liebergen has re-scored the
Brahms' best songs are small, priceless jewels. They are unusual, mysterious, inventive, bass heavy, uncomplicated, melodious, and they are glorious creations! Op. 63, No. 8 O wusst' ich doch den Weg
This excerpt from Vivaldi's "Gloria" is specially arranged to meet the needs of the developing singer. An intelligent choice for teaching phrasing and other stylistic features of the Baroque period, this
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A "fantasia" in the truest sense, this choral tapestry of English carols was composed in 1912 after Vaughan Williams had completed the scores for his first symphony ("The Sea") and the Tallis fantasia. In
Bach's classic work is arranged in multiple voicings to be accessible to choirs of all ages. This edition includes both a secular and sacred English text as well as the option for piano or organ