Collegiate & Advanced Repertoire

Psalm 137 was an inspiration for many composers including Saint-Saëns, who set the text four times. This setting, the original composed in 1854, features solo soprano, mixed choir, saxophone quartet,

Psalm 137 was an inspiration for many composers including Saint-Saëns, who set the text four times. This setting features alto solo, mixed chorus, piano, and English text. The first version, composed

This new edition of Bach's masterpiece reflects Mendelssohn's unique vision of the work and includes a forward in German and English. The work is now presented in its reduced form with the revised part for

Completed in the last summer of Schubert's life, this Missa Solemnis was first performed posthumously in 1829 under the baton of the composer's brother Ferdinand. Though the occasion for composition cannot

Following upon Alexander’s Feast (1736), in 1739 Handel produced a second setting of the Ode to St Cecilia (“Song for St Cecilia’s Day”). At its première it

Dvorak composed the cycle Moravian Duets for two treble voices with piano accompaniment at the request of the Prague wholesale merchant Jan Neff in 1876. This was a turning point in the career of

This publication of a new completion of the Mozart Requiem offers a source-critical edition of Mozart's fragmentary Requiem as well as an alternative to the traditional Süssmayr version. It makes it

This Urtext edition takes into account all the sources, including the old and the new complete editions whose relationship is clearly explained. In several passages, renowned Beethoven specialist Barry

This edition of Franz Schubert's Magnificat D 486 is based on the composer's autograph score and is the first to make use of his authorized performance material. It offers alternative readings that make the

Franz Schubert's "Stabat Mater" D 175 is one of a number of church works that he wrote for his local congregation in Lichtental.

Handel composed the Te Deum in B-flat major HWV 281 in 1718 for the future Duke of Chandos, hence its nickname “Chandos Te Deum”. Here it is called Te Deum or Cannons after the

Edited by Teresa Ramer-Wunsche. Piano reduction by Andreas Koehs. For soloists, SATB choir & orchestra. Urtext Edition. Preface in Ger and Eng. A serenata consisting of an overture and three acts.

Mendelssohn's setting of Non nobis Domine marked the arrival of his maturity as a composer of sacred music and was the first in the series of five great psalm-cantatas that, along with the

The beloved Faure Requiem is presented in a pristine Urtext edition for treble voices, arranged for SSAA, soloists and organ reduction. This arrangement uses a divided soprano section for the

The Swedish texts for Triptyk (Triptych) and Morkbla tillit (Dark Blue Trust) were written by hospital chaplain and author Kerstin Dillmar. In her line of work, she often meets people who

This piece is a transcription of a composition originally conceived for choir and large orchestra commissioned by the Knabenkantorei Basel. The text which stems from the liturgical chants

This Missa Brevis for mixed a cappella choir has been composed in the tradition of the short Mass (without Credo) and can be easily managed by most choirs. Thanks to its conciseness, it is suitable for use

This a cappella work from Swedish composer Marten Jansson and Swedish poet Einar Askestad deals with sorrow and loss. After a forceful, harmonically ambiguous section and a clear break in the music, the

Telemann's 1754 chorale setting of the church hymn Christus, der ist mein Leben, based on Melchoir Vulpius' melody from the Hamburg Hymnal, is especially well suited to display his mastery in

Composed around 1760, Die Auferstehung und Himmelfahrt Jesu is one of Telemann's last large-scale vocal works. The libretto, by Karl Wilhelm Ramler, recounts the Biblical events from the

Edited by Stephan Blaut. For SAATBB choir & orchestra. Urtext Edition. Preface in Ger. and Eng. A coronation anthem. Vocal score, 32 p.

Edited by Stephan Blaut. For SSAATBB choir & orchestra. Urtext Edition. Preface in Ger. and Eng. A coronation anthem. Vocal score, 19 p.

As the name suggests, the Missa Popularis has its musical roots in folk music. This becomes clear in the first bars of the Kyrie, when the violin plays a melody in the style of a Swedish folk tune

Beethoven’s sacred works include two settings of the Mass. The Mass in C Major, completed and premiered in 1807, has been unjustly described as a preliminary step towards the completion of his great