Adult Community Choir Concert Music

This early Mozart work (KV 276) contrasts soli with the full choir. Available for mixed and treble choirs, this arrangement is a vigorous seven-minute concert feature of this well-known and well-loved

Originally written for her induction into the Accademia Filarmonica di Bologna, Marianna Martines' setting of Psalm 110 is often considered her greatest choral work. This arrangement of the first movement

An excerpt from Handel's "Israel in Egypt," this carefully edited edition is the perfect concert opener or festival piece. Scored for double choir and piano, this Baroque staple is made

Haydn's eighth setting of the ordinary of the Mass was composed in 1782 for performance in Mariazell, Austria. The brief opening portion of the Gloria has been selected for this anthem, featuring Haydn's

Engaging triple SATB choirs, this lively 16th-century work is appropriate for collegiate, community, and professional groups and will make a fantastic concert opener!

A sprightly and refreshing piece, this fits perfectly in any program about spring, nature, or singing itself. It reminds us that, although often overlooked, there were many fine women composers active in

The traditional "Gloria in excelsis" text is presented with classical energy and is an accessible choice for churches and schools. This setting is from Jose Mauricio Nunes Garcia's 1811 Christmas Eve Mass

Energetic tempo, soaring vocal lines, and unified rhythmic texture create a rousing setting of Schulze's text about Jager (hunters) roaming the forest. The strophic form and straightforward harmony make

Dvorak is well known for his folk song settings, but this lullaby is his own tune - and his earthy roots emerge from the melody of this secular part song. A great selection for more advanced ensembles.

These two gems for SAB voices work beautifully as a pair. The first, Se lontan, ben mio, tu sei (KV438) is on the slow side, in E flat major. The second, Luci care, luci belle (KV346) is

G.F. Handel's iconic Hallelujah Chorus is an annual tradition for thousands of choirs around the world. Here is the standard version in all its glory for SATB choir with a piano or organ part

From the American Romantic Choral Series comes this lighthearted secular song. Written in Italian with an English alternative, the piece features a baritone solo with chorus response. Fun and well written,

G.F. Handel's iconic Hallelujah Chorus is an annual tradition for thousands of choirs around the world. Here is the standard version in all its glory for SATB choir with full orchestral

This adaptation of Mozart's choral work has been carefully edited with dynamics and phrasings to help choirs realize the composer's intentions and perform this classic with stylistic integrity. Singers will

This invitation for a rendezvous on the sea beneath the stars is colored by a spiraling piano accompaniment and largely homophonic vocal lines. The setting makes the most of Chausson's music in this lovely

The melody has a simple innocence, but the harmony provides great warmth and subtlety in this touching love song by Clara Schumann arranged for choral ensembles. Set in a modified strophic form, the setting

From the Gounod opera "Faust." Here, young Valentin's heartfelt prayer abounds with conflicting emotions, offering singers an opportunity to consider the devotional yet enthusiastic text and operatic style

Isabella Leonarda was one of the most prolific woman composers of 17th-century Italy, publishing 20 volumes during her lifetime including the first known sonatas written by a woman. This edition seeks to

Often considered to be one of the first great American female composers, Amy Beach's art songs are stylistically similar to those of other late-Romantic European composers. Here we have two solo art songs

This well-known motet by Heinrich Schutz is more accessible than ever in this arrangement for a cappella SSATBB choirs. This edition contains conservative ranges with added dynamics and articulations to

Caligaverunt Oculi Mei (1585) is the ninth responsory for the matins of Good Friday. Scored for unaccompanied mixed voices, the text combines scriptures from Job and Lamentations as an allegory

With the option to perform a cappella or with basso continuo and cello, Monteverdi's masterwork breathes new life in this edited version for divisi mixed choirs. An exciting texture that bridges the

The second of six motets in Sechs Spruche, opus 79, is homophonic and stoic in nature. In this edition, the vowels of the words are placed directly below the written pitches, which agrees with Mendelssohn's