Breitkopf and Haertel Urtext Editions

Edited by Barthold Kuijken.  For solo flute. Urtext Edition. Preface in Ger. and Eng. Includes facsimiles and critical commentary. Score, 26 p. and part.

Scored for French horn, 2 cellos and 2 pianos.

The authoritative Urtext edition according to the new Beethoven Complete Edition published by G. Henle Verlag. The study of all available sources, new discoveries, and source evaluations leads to a

This cantata for the first day of Christmas is one of Kuhnau's most extensive works. It is underlaid with the free poetry of a hitherto anonymous author, not including any Bible or chorale texts. Though the

This cantata for the first day of Christmas is one of Kuhnau's most extensive works. It is underlaid with the free poetry of a hitherto anonymous author, not including any Bible or chorale texts. Though the

This cantata for the first Whitsun holiday is based on a text by Johann Christoph Wentzel (1659–1723). The yearly volume in which it appears dates to August 4, 1703, and is dedicated to, among others,

This cantata for the first Whitsun holiday is based on a text by Johann Christoph Wentzel (1659–1723). The yearly volume in which it appears dates to August 4, 1703, and is dedicated to, among others,

Joachim Raff's celebrated first cello concerto is only gradually being rediscovered today. This is astounding, taking into account both the quality of the composition as well as its enthusiastic reception

Joachim Raff's celebrated first cello concerto is only gradually being rediscovered today. This is astounding, taking into account both the quality of the composition as well as its enthusiastic reception

Raff's Cello Sonata op. 183 appeared in print in late 1873; at a time when Raff's success was at its zenith with Symphonies Nos. 3 and 5 as well as many chamber works. Little is known about the

This mixed chorale cantata sets the first and last verses of the corresponding Luther chorale verbatim, but the other movements are free poetry based on the content of the chorale. The time of composition

In the case of the oratorio Christus am Olberge (Christ on the Mount of Olives), Breitkopf & Haertel can finally make amends to Beethoven for a slight committed more than 200 years ago. As